Measuring 2.5 x 1.8 inches (63 x 45mm) and weighing 5.5 oz (154g), it’s smaller and lighter than the Sigma lens. We also recommend the Sony 35mm F1.8 OSS lens. The lens also holds up optically, producing crisp, clear visuals even when shooting wide open at F1.4.
Measuring 2.6 x 2.9 inches (64.8 x 73.3mm), and weighing 9.3 oz (265g), the compact lens is easy to take with you anywhere. Whether you’re shooting an intimate interview inside a studio, or trying to capture a vast outdoor landscape, the Sigma 30mm F1.4 DC DN Contemporary lens won’t let you down.
With an equivalent focal length of 45mm, this lens also offers a robust angle of view for capturing subjects at different distances. Our second lens pick is another Contemporary lens by Sigma. However, all three models make for great partners to the Sony ZV-E10. At $399, it’s also considerably more affordable than the Sony lens, and only slightly more expensive than the Tamron lens.
We ultimately chose the Sigma lens due to its wider angle of view and maximum aperture. All the more reason to use a lens with a wide angle of view like the Sigma 16mm F1.4 DC DN Contemporary.Īlternatives include the Sony 20mm F1.8 G and the Tamron 20mm F2.8 lenses. When recording handheld, you may wish to use this feature for reducing shake, although keep in mind that it will add an additional 10% crop to your image. The ZV-E10 does not feature built-in mechanical image stabilization, however, it does utilize Sony’s electronic image stabilization software, SteadyShot. Additionally, shooting at the wide maximum aperture of F1.4 produces a pleasing bokeh and background separation effect. However, it’s also not so wide that your face will appear distorted or unnaturally wide. The lens’ wide angle of view and 9.8-inch minimum focusing distance allows you to keep your face in focus and in frame from an arm’s length away. However, it’s also ideal for recording while walking and talking into the camera.įor example, if you’re holding the ZV-E10 in front of you, recording yourself – perhaps using the Sony GP-VPT2BT grip – you’ll need a lens with a close minimum focusing distance and a wide angle of view to ensure your face is completely in frame and in focus while you record. This is a versatile angle of view that’s great for shooting wide-angle or landscape visuals. The letters ‘DC’ indicate the lens is designed for APS-C sensors, while ‘DN’ means the lens is exclusively for use with mirrorless cameras.Īs the ZV-E10 is an APS-C system, there is a 1.5 times crop on the lens, producing an angle of view equivalent to a 24mm lens on a 35mm sensor camera. The Sigma 16mm F1.4 DC DN Contemporary is a fantastic wide-angle lens to use with Sony’s latest APS-C mirrorless camera. Each of the lenses below currently have a price tag below $650, yet produce fantastic visuals when paired with the Sony ZV-E10. We deliberately selected lenses that match the camera’s blend of affordability and high performance. Nonetheless, it’s a powerful camera, capable of producing high quality stills and video. With a price tag of $698, The Sony ZV-E10 is more accommodating to beginners or those restricted by a budget. While technically you could pair it with any one of Sony’s premium G Master lenses, they are better suited to more advanced, full-frame models like the a7 III or a7R IV. So we set out to determine the 5 best lenses for the Sony ZV-E10.Īs a mirrorless camera, the ZV-E10 uses Sony E-mount lenses. Unlike the ZV-1, however, the new model is an interchangeable lens system. Much like its predecessor, the ZV-1, it’s a great camera for aspirational vloggers and content creators. The ZV-E10 is Sony’s latest APS-C mirrorless camera, and offers a dynamic combination of portability, affordability, and usability.
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